点击选择搜索分类
首页 - 育儿- 正文
☆☆☆☆☆
||
[美] 塔尔米(Talmy.L.) 著
出版社: 外语教学与研究出版社 , ISBN:9787513523615 版次:1 商品编码:11078697 品牌:外研社 包装:平装 外文名称:Toward a Cognitive Semantics(VolumeⅡ):Typology and Process in Concept Structuring 开本:16开 出版时间:2012-08-
《认知语义学(卷Ⅱ):概念结构中的类型及过程》为两卷本的第二卷,主要描述概念构建过程中呈现的类型学和结构特征。第一卷《认知语义学(卷Ⅰ):概念结构系统》主要研究概念的构建。
《当代国外语言学与应用语言文库·认知语义学(卷2):概念结构中的类型及过程》的核心是“概念结构系统”。作者在卷I和卷II的副书名中均使用了structuring一词,表示概念结构并不是一个静态的结构系统,而是通过不同的认知过程“构建”(structuring)而成。
PART 1 TYPOLOGICAL PATTERNS IN THE REPRESENTATION OF EVENT STRUCTURE
Chapter 1 Lexicalization Pattems
Chapter 2 Surveying Lexicalization Patterns
Chapter 3 A Typology of Event Integration
Chapter 4 Borrowing Semantic Space: Diachronic Hybridization
PART 2 SEMANTIC INTERACTION
Chapter 5 Semantic Conflict and Resolution
Chapter 6 Communicative Goals and Means: Their Cognitive Interaction
PART 3 OTHER COGNITIVE SYSTEMS
Chapter 7 The Cognitive Culture System
Chapter 8 A Cognitive Framework for Narrative Structure
References
Index
Other works are intrinsically staac, but the experiencer can interact with them by successively directing his attention to different parts of the whole. Static works may be classed into two groups on the basis of whether or not there is a cultural convention that prescribes a particular sequence in which attention is to be directed (even though it would be physically possible to direct one‘s attention elsewhere). Works that involve such a convention include a book, a cartoon strip, a sequential fresco, and an Australian aboriginal sand tracing depicting mythic treks.
Other types of static work are designed for random access by the experiencer’s focus of attention. Examples of such works are a painting or tapestry with a number of different depicted components; a sculpture designed for viewing from different angles; an architectural structure that one can view from different interior and exterior points; and a geographic-sized art work, as by Cristo, An interesting observation emerges from this analysis, Any old tapestry or painting that in effect depicts a story by showing a number of figures and activities together suggesting a succession of events, but one that the viewer must piece together through her own self-determined sequence .of visual fixations, is as much an example ofinteractive fiction as any modern computer-based form.
The prototype requirement for narrative that it be progressional is abetted to the extent that a genre exhibits a certain one of the characteristics outlined above. This characteristic is that the genre‘s partwise succession is determined-whether by physical shifts of exposure or by conventions for directing attention-rather than being open to attentional random access.
2.1.3 The Degree of Coherence and Significance The third and final factor considered here is that of Coherence and Signiftcance. A lugh degree of coherence and significance are required for the narrative prototype. Coherence is the property that the parts of the work fit together into a sensible whole. That is, relative to the average human conceptual system, the parts of the work can be cognized together in a way that they constitute a higherlevel entity that can be assessed as a unity. A work loses coherence to the extent that parts of the work are experienced as contra-dictory, irrelevant, or random with respect to each other. Significance (in its nonneutral sense) is the property that the parts and the whole of a work can be experienced as fulfilling some purpose or mission on the part of the author.
It can be seen why a prototypical narrative requires that the factor of coherence and significance be added to the previous two factors, and that all three factors have positive values. A “work” could be prototypical in being ideational and progressional but, without coherence and significance, it would hardly qualify as a narrative. An example of this combination of values is a diary or’a chronicle, which recounts a succession of ideational events but lacks story character to the extent that the entries do not cohere. A collection of references to a succession of unrelated events-whose juxtaposition would thus not only lack coherence but also significance-would be even less of a narrative. On the other hand, to the extent that a diary is seen as someone‘s personal history or “story” or that a chronicle is seen as the history or “story” of, say, a kingdom, the recounted succession of events would be accorded a sense of coherence and purpose and so come closer to being experienced as a narrative.
……
当代国外语言学与应用语言文库·认知语义学(卷2):概念结构中的类型及过程 [Toward a Cognitive Semantics(VolumeⅡ):Typology and Process in 电子书 下载 mobi epub pdf txt
当代国外语言学与应用语言文库·认知语义学(卷2):概念结构中的类型及过程 [Toward a Cognitive Semantics(VolumeⅡ):Typology and Process in -so88
当代国外语言学与应用语言文库·认知语义学(卷2):概念结构中的类型及过程 [Toward a Cognitive Semantics(VolumeⅡ):Typology and Process in pdf epub mobi txt 电子书 下载 2022
图书介绍
☆☆☆☆☆
||
[美] 塔尔米(Talmy.L.) 著
出版社: 外语教学与研究出版社 , ISBN:9787513523615 版次:1 商品编码:11078697 品牌:外研社 包装:平装 外文名称:Toward a Cognitive Semantics(VolumeⅡ):Typology and Process in Concept Structuring 开本:16开 出版时间:2012-08-
编辑推荐
《认知语义学》(两卷本)为认知语言学创始人、美国语言学家Leonard Talmy倾尽心血的集大成之作。两卷本奠定了认知语义学的理论基础,是语言学领域,尤其是认知语言学领域研究者的必读之作。《认知语义学(卷Ⅱ):概念结构中的类型及过程》为两卷本的第二卷,主要描述概念构建过程中呈现的类型学和结构特征。第一卷《认知语义学(卷Ⅰ):概念结构系统》主要研究概念的构建。
内容简介
《认知语义学》(Toward a Cognitive Semantics Ⅰ&Ⅱ,2000,the MIT Press.以下简称“本书”或“该书”)为认知语言学创始人、美国语言学家Leonard Talmy倾尽心血的集大成之作。本书奠定了认知语义学的理论基础,是语言学领域,尤其是认知语言学领域研究者必读之作。该书原创性强,各章理论自成体系,且包含多种理论系统。全书基于大量的语料,理论基础牢固。该书不仅对语言学领域内的分支(尤其是语义学、句法学、类型学等)具有方向性的带领作用,而且对人类学、文学(尤其是叙事学)、心理学、哲学、文化研究、神经科学及人工智能等学科中的话题也有重要影响。此书使作者一举成为举世公认的认知语言学创始人。《当代国外语言学与应用语言文库·认知语义学(卷2):概念结构中的类型及过程》的核心是“概念结构系统”。作者在卷I和卷II的副书名中均使用了structuring一词,表示概念结构并不是一个静态的结构系统,而是通过不同的认知过程“构建”(structuring)而成。
内页插图
目录
IntroductionPART 1 TYPOLOGICAL PATTERNS IN THE REPRESENTATION OF EVENT STRUCTURE
Chapter 1 Lexicalization Pattems
Chapter 2 Surveying Lexicalization Patterns
Chapter 3 A Typology of Event Integration
Chapter 4 Borrowing Semantic Space: Diachronic Hybridization
PART 2 SEMANTIC INTERACTION
Chapter 5 Semantic Conflict and Resolution
Chapter 6 Communicative Goals and Means: Their Cognitive Interaction
PART 3 OTHER COGNITIVE SYSTEMS
Chapter 7 The Cognitive Culture System
Chapter 8 A Cognitive Framework for Narrative Structure
References
Index
精彩书摘
A work that reveals different parts ofitself through time can be considered intrinsically dynamic. Examples of genres of this type are conver-sation, storytelling, a play, a film, a comedy routine, an improvisational theater performance, a mime performance, a religious ceremony, a dance performance, music, video art, and kinetic sculpture.Other works are intrinsically staac, but the experiencer can interact with them by successively directing his attention to different parts of the whole. Static works may be classed into two groups on the basis of whether or not there is a cultural convention that prescribes a particular sequence in which attention is to be directed (even though it would be physically possible to direct one‘s attention elsewhere). Works that involve such a convention include a book, a cartoon strip, a sequential fresco, and an Australian aboriginal sand tracing depicting mythic treks.
Other types of static work are designed for random access by the experiencer’s focus of attention. Examples of such works are a painting or tapestry with a number of different depicted components; a sculpture designed for viewing from different angles; an architectural structure that one can view from different interior and exterior points; and a geographic-sized art work, as by Cristo, An interesting observation emerges from this analysis, Any old tapestry or painting that in effect depicts a story by showing a number of figures and activities together suggesting a succession of events, but one that the viewer must piece together through her own self-determined sequence .of visual fixations, is as much an example ofinteractive fiction as any modern computer-based form.
The prototype requirement for narrative that it be progressional is abetted to the extent that a genre exhibits a certain one of the characteristics outlined above. This characteristic is that the genre‘s partwise succession is determined-whether by physical shifts of exposure or by conventions for directing attention-rather than being open to attentional random access.
2.1.3 The Degree of Coherence and Significance The third and final factor considered here is that of Coherence and Signiftcance. A lugh degree of coherence and significance are required for the narrative prototype. Coherence is the property that the parts of the work fit together into a sensible whole. That is, relative to the average human conceptual system, the parts of the work can be cognized together in a way that they constitute a higherlevel entity that can be assessed as a unity. A work loses coherence to the extent that parts of the work are experienced as contra-dictory, irrelevant, or random with respect to each other. Significance (in its nonneutral sense) is the property that the parts and the whole of a work can be experienced as fulfilling some purpose or mission on the part of the author.
It can be seen why a prototypical narrative requires that the factor of coherence and significance be added to the previous two factors, and that all three factors have positive values. A “work” could be prototypical in being ideational and progressional but, without coherence and significance, it would hardly qualify as a narrative. An example of this combination of values is a diary or’a chronicle, which recounts a succession of ideational events but lacks story character to the extent that the entries do not cohere. A collection of references to a succession of unrelated events-whose juxtaposition would thus not only lack coherence but also significance-would be even less of a narrative. On the other hand, to the extent that a diary is seen as someone‘s personal history or “story” or that a chronicle is seen as the history or “story” of, say, a kingdom, the recounted succession of events would be accorded a sense of coherence and purpose and so come closer to being experienced as a narrative.
……
当代国外语言学与应用语言文库·认知语义学(卷2):概念结构中的类型及过程 [Toward a Cognitive Semantics(VolumeⅡ):Typology and Process in 电子书 下载 mobi epub pdf txt
电子书下载地址:
相关电子书推荐:
- 文件名
- 七彩像素涂色书-4
- 新编劳动法小全书(2016年版) 法律出版社法规中心 编
- 陆地奇观-新编少年儿童十万个为什么
- 公民常用法律手册(16版) 法律出版社旗舰店
- 侏罗纪猎杀-恐龙大陆-儿童视觉大系
- 数字逻辑电路实验与能力训练
- 中国之美自然生态图鉴 中国观赏花卉图鉴
- 现代信号处理教程(第二版)(本科教材) 胡广书 9787302389347
- 数学物理方法
- 203枚徽章的抗战记忆 孟中洋著 法律出版社
- 发明总动员 李正明
- 数字无线传输(第二版)
- 天外有天系列:探索太空宜人居住"区" 9787543975309 -RT
- 微电子封装超声键合机理与技术 9787030412140
- 满58包邮 伽利略眼中的科学 9787531692195 【美】劳伦斯·利普金,卢东民、